“I just don’t want my capstone podcast project to sound homemade,” I say, sitting in one of the fancy media rooms at the Duderstadt and talking with a peer media consultant about “amplifying” and “wav files.”
“What do you mean?”
“Like on a scale of bagels covered with cheese and ragu to a pizza lovely crafted by Italian immigrants- I want it to be Digourno. It can be different than professional but I still want it to be good.”
“No matter what you’re going to have to teach yourself some about audio recording- levels etc. And vocal performance too probably”
That’s the moment I realize that I may have bitten off more of this pizza than I can chew. In the Writing Minor, we like to talk about how we write, why we write, what we right. Yet with this podcast, I’m having to contend with technology and with performance. In fact, how I write it may be affected by these programs and how they work.
I am not a Luddite. I have been having a passionate love affair with Photoshop for the past three years, designing covers and booklets and posters. However, relearning a complex program, learning enough so I can make it sound professional, is that too high a goal?
I just want to do my ideas justice. I want to do any listeners justice. I don’t want them to be distracted from my content because of a voice crackle.
I also want to be realistic about my abilities. I want to be realistic about the time I have left as my senior comes to a close with a bang of work and a whimper from me. I also don’t want to engage the obsessive perfectionist qualities of my personality. The part of me that will tweak-tweak-tweak at Photoshop.
I want to do the best I can with my time and abilities, but will that be enough?
This American Life by Ira Glass has an episode called “Fiasco!” where he sayings that when everyone reaches just beyond their grasp that’s when greatness can occur.
I’ll settle for Digourno pizza.