Both for me and Amir, the main character of my novella/novel: Dying Man’s Wish.
The coming-of-age plot centers around the son of a grave robber, Amir, as he begins to gain perspective on life and death in an ancient Middle Eastern society. The setting will bring to life some of the monuments and stories native to the Middle East. In this way, I aspire to both comment on and alter history through a creative lens, the way I imagine my ancestors interacted with the monuments, or lived the stories we now tell. It’s almost like re-writing history, the way I imagine it, to create a piece of historical fiction.
The plot is narrated by Death, an opinionated, all-knowing entity whose form is left up to the imagination of the reader. Ironically, Death offers comedic relief at times, and bits of experiential wisdom at others. Mostly, though, Death is the primary raconteur of the story.
Other elements I want to incorporate into the novel/novella include social and political commentary on issues that still impact the Middle East today. In this way, I hope to discuss modern issues that are really just continuations of ancient issues, such as women’s rights and political corruption. Doing this grants me a way to discreetly, but not innocuously, “show the world its own shame,” in the words of Oscar Wilde.
But I also want to show the world its own beauty. In part, that is where the image above, along with others, come in. I will incorporate a series of images I have taken in my travels abroad to serve as various settings. More on this later 😉
Thank you for reading!